An exploration of all that is awesome in the world of popular culture, with occasional sidetracks into non-awesomeness by means of contrast
Sunday, 26 June 2011
The thousand autumns of Jacob de Zoet by David Mitchell (not that one)
I had read Cloud Atlas, an earlier Booker-nominated novel by Mitchell.
Though I was slightly anxious about this book.
For starters, Cloud Atlas was a series of stories of a variety of genres and while Mitchell was clearly able to capture a variety of styles, at times they bordered on pastiches. And I seldom warmed to the characters.
But, no, this is an extraordinary book.
It depicts a Dutch East India Company settlement on the island of Dejima off Nagasaki, with the Dutch folk forbidden to step foot on any other Japanese land.
We see the culture clashes. Humorous misunderstandings as well as attempts to screw each other over.
We have seemingly ill-starred romance.
But it's fresh.
While the story is rooted in history and is inspired by real events, it almost feels like a fantasy novel, so alien does Dejima feel. This is meant as a compliment. And it's backed up that wonderfully mysterious title.
The title character, Jacob de Zoet, is a pastor's son and has been told by his fiancee's father to go and make his fortune in the east. So, unlike most of his compatriots on Dejima, he is not an out-and-out mercenary. He can be a bit holier-than-thou but he is a very sympathetic character to modern audiences. And, there is a rebellious streak as evidenced even in the early chapters by his smuggling scripture for his own personal use onto the island, in a time when Christianity was outlawed in Japan. That helps make him feel more human.
In many ways, it's a trilogy in one book with a strong story arc. An arc that twists and turns.
Also it's refreshing that the novel focuses on Dutch colonists. I've found myself reading too much historical fiction focussing on dodgy British colonial adventures, even if they're excellent like English Passengers.
We see the savagery and cruelty of the Dutch and Japanese and you know we'll go dark places though these are stunningly dark.
And yet, it's a very easy read. There's a lightness of touch but, good god, is it gripping.
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